
The blame for this one falls squarely on radio stations. Rap
music was seen as highly confrontational by its very nature when it hit the
national scene: there were no sub-genres at that time, it was all just rap.
Radio stations needed a way to distinguish the Fresh Prince from Public Enemy,
and since rappers referred to their culture as hip-hop, they jumped on the
term. Soon, consumers and critics began using the term to describe rap
music—and fans of rap began correcting them, a pastime of which they would soon
grow very tired.
For better or worse, the term stuck. As rap splintered into
a dozen or so sub-genres in the late ’90s, hip-hop became the catch-all term
for whatever they were playing on the radio. And, as all of those sub-genres
have largely homogenized again, it’s now just a catch-all term for everything
involving rapping—even underground artists have started referring to their
music as hip-hop. Radio stations aren’t exactly bastions of free creative
expression, but passive-aggressively telling a musical genre what to call
itself seems particularly egregious.
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